Saturday February 23rd, 2013 @ 7:30 pm
Rickshaw Stop
155 Fell Street
San Francisco, CA 94102
Featured Show
UnderCover Presents – Radiohead’s Kid A – Presented by UnderCover & Faultline Studios
Guest Music Director, Elizabeth Setzer
Sat-Mon, February 23-25, 2013
Store
Albums
Radiohead’s Kid A
To purchase UnderCover Presents: Radiohead’s Kid A, visit UnderCover Presents on Bandcamp by clicking here.
To redeem your digital download from the show, please click here.
Joni Mitchell’s “Blue”
To purchase UnderCover Presents: Joni Mitchell’s Blue, visit UnderCover Presents on Bandcamp by clicking here.
Black Sabbath’s “Paranoid”
To purchase UnderCover Presents: Black Sabbath’s Paranoid, visit UnderCover Presents on Bandcamp.
Pixies’ Doolittle
Recorded in the studio a few weeks before the live show.
The Velvet Underground & Nico
Recorded live at Coda Supper Club.
Press
UnderCover News Coverage
UnderCover honors Joni Mitchell’s ‘Blue’ – The SF Chronicle
Source: The San Francisco Chronicle
Even by the nakedly confessional standard set by Joni Mitchell, her 1971 album “Blue” stands out as a singularly soul-baring song cycle, exploring wrenching separations and ecstatic consummations. Reinterpreting such a personal statement might seem like a fool’s errand, but for the Bay Area collective UnderCover Presents, Mitchell’s masterpiece provides an ideal forum for marshaling a cornucopian array of [...]
Local musicians reinterpret Nick Drake’s “Pink Moon” at the Rickshaw Stop
Source: San Francisco Bay Guardian Noise Blog
Had you been skeptical about the “UnderCover Presents: Nick Drake’s Pink Moon” event Sunday night at the Rickshaw Stop you wouldn’t have been alone. It had the potential to be disastrous. Coordinating the sound alone must have posed a considerable challenge. How do you get 11 eclectic local bands — 50 performers each with specific [...]
Light from the Pink Moon: S.F. Artists to Reinterpret Nick Drake’s Classic Onstage
Source: SF Weekly's All Shook Down by J. Poet, January 18, 2012
He’s encouraging players to stay away from technology to honor Drake’s desolate masterpiece. “The album is stripped down, just Drake [and] guitar, which leaves the tunes wide open for reinterpretation,” Johnston says. “I like organic, free-range, locally produced human expression. Too many electronics, especially pre-recorded canned beats and the like, detract from the human feel. David Boyce will probably be playing solo and using some electronics, but his music always retains a deep earthiness and soul.”